G Blues, advanced voicing

F Blues and Student Questions
tips and tricks
Hammond History
MIDI File explanation

F Blues
Advanced Basslines

F Blues
scales and comp

"Root Down"
James Oscar Smith

In this video Tony's engineer Bill Heingartner explains Dynamic, Condenser, and Ribbon and Tube Condenser techniques. You also get a folder of 10 mics and Di tracks to mix yourself and try the different combinations! Please Help $$ Me Do what I Do! https://www.paypal.com/cgi-bin/webscr...

"The Cat"
James Oscar Smith

See the Tony Monaco trio live at a clinic with guitarist Bruce Forman and drummer Vince Lateano.

F Blues
ii V I Turnaround

G Boogie Woogie

Tritones and Alt. Voicing

F Blues
Licks, Bass, Comp

Minor Blues

F Blues

Tony Monaco Masterclass DVD
Ch.3
ex.9a

C Blues
3rds and 7ths Voicing
Slow Blues
Tony reviews worksheets from his DVD

how to make your blues more complex
file 4b

Bb Blues

Jazz Blues
file 3a

Blues in unusual keys

Minor Blues

"Feel Like Making Love"
Eugene McDaniels

Funk Bass Lines

Advanced Theory
Funky Blues Bass Lines

Walking Bass lines
I-IV and I-V two measure bass lines
3rd and 7th voicing

145 inversion explanation
145 Bossa groove

Advanced Voicings

"Sunday Morning Blues"
Blues in F

Fast F Blues

F Blues Scale Licks

Review and Questions
Funk Grooves

C Blues
3rd and 7th Voicings

"Back at the Chicken Shack"
James Oscar Smith

C Blues
3rd and 7th voicing

F Blues

basic C Blues and
Back at the Chicken Shack
Jimmy Smith

Killer Joe, 3rds and 7th voicing
bass lines
tritone theory

"Back at the Chicken Shack"
James Oscar Smith

Advanced Voicings
Altered Dominant Chords

F Blues
slap bass

F Blues

I've got Rhythm. 3rd and 7th voicing.
Bass lines with grace notes

C Blues

Basic 1-4-5 progressions

145 in C

G Blues

"Back at the Chicken Shack"
James Oscar Smith

F Blues

"These Are Soulful Days"
Cal Massey

F blues

"How High the Moon"
Morgan Lewis, Nancy Hamilton

"Autumn Leaves"
Joseph Kosma, Johnny Mercer, Jacques Prevert

"The Cat"
James Oscar Smith

"Mellow Mood"
Jimmy Smith and Wes Montgomery
minor blues

"Blue Bossa"
Kenny Durham

Blues Licks

"Body And Soul"
John Green, Edward Heyman, Robert Sour, Frank Eyton

"Fly Me to the Moon"
Bart Howard

"Easy To Love"
Cole Porter

"Days of Wine and Roses"
Henry Mancini

"Tangerine"
Victor Schertzinger, Johnny Mercer

"Frame For the Blues"
Maynard Ferguson

"These are Soulful Days"
Cal Massey

"I Can't Give You Anything But Love"
Jimmy Mchugh, Dorothy Fields

Blues Scales
ex. ch1 3a

"Beautiful Love"
by Wayne King, Victor Young and Egbert Van Alstyne with lyrics by Haven Gillespie

G Blues
"Midnight Special"
James Oscar Smith

Drawbar Settings

"C-Jam Blues"
Duke Ellington

"Softly as in a Morning Sunrise"
Sigmund Romberg, Oscar Hammerstein II

Mr. Magic Groove
Tony also gets into some 2-5-1 theory

"Its You or No One"
Jule Styne, Sammy Cahn

"I Can't Give You Anything But Love"
Jimmy Mchugh, Dorothy Fields

"Body And Soul"
John Green, Edward Heyman, Robert Sour, Frank Eyton

"Feel Like Making Love"
Eugene McDaniels

"The Champ"
James Oscar Smith

"Mellow Mood" Jimmy Smith
Minor Blues
Bossa Style

G Shuffle Blues

Jazz Blues
adding II-V-I turnarounds

Barry White Groove

Round' Midnight
Thelonious Monk

"Bye Bye Blackbird"
Ray Henderson, Mort Dixon

G Blues

"Its You or No One"
Jule Styne, Sammy Cahn
Walking Bass Lines

G Blues from a Mixolydian approach

"Sir Duke"
Stevie Wonder

"America The Beautiful"

"Easy to Love"
Cole Porter

"The Cat"
Lalo Schifrin

"All About My Girl"
Jimmy McGriff

Can't Hide Love
Earth Wind and Fire

"Pensativa"
Bud Shank and Clare Fischer

"Bye Bye Blackbird"
Ray Henderson, Mort Dixon
Squable Style

"All Blues"
Miles Davis

G Blues
#9 Voicing
Organ Settings

"Jan Jan" Comp Technique
#9
Reggae Bubble

"Softly as in a Morning Sunrise"
Sigmund Romberg/ Oscar Hammerstein II

"On Green Dolphin Street"
Ned Washington, Bronislau Kaper

G Blues solos just focusing on the Blues scale and some simple licks while keeping a G bass note.

"All Blues"
Miles Davis

"Candy"
Alex Kramer, Joan Whitney, Mack David

"Candy"
Alex Kramer, Joan Whitney, Mack David

Tony get into playing some different Montunos (Latin grooves)

Slow G Blues

G Blues

G Blues

"Mambo In"

"On Green Dolphin Street"
Ned Washington, Bronislau Kaper

"Mambo in"

"OverJoyed"
Stevie Wonder

"Overjoyed"
Stevie Wonder

"What are you doing New year eve"
-Frank Loesser
Don Patterson style

Do you know a good thing when you see one
Shirly Scott

"The Odd Couple theme" Samuel Cahn and Neal Heafti

"Softly as in a Morning Sunrise"
Sigmund Romberg, Oscar Hammerstien II

"Softly as in a Morning Sunrise"
Sigmund Romberg, Oscar Hammerstein II

"Softly as in a Morning Sunrise"
Sigmund Romberg, Oscar Hammerstein II

"Take the "A" Train"
Billy Strayhorn

A look a Jimmy Smith's version and Sonny Rollins version.

Tony relates the key changes of "There is no greater love " to the bridge on "rhythm changes". Lots of theory is discussed regarding altered chords and bass lines.

"All the thing you are" played as a ballad. Tony goes through the steps of how to work on it.

Tony talks about different Bass approaches, and licks

S'bout time- Don Patterson

"On Green Dolphin Street"
Ned Washington, Bronislau Kaper

Stevie Wonder "Isnt she lovely" vibe 6-2-5-1 turnaround groove

"Take the "A" Train"
Billy Strayhorn

Song for my father using Suspended chords instead of dominant 7th. and soloing using A flat major. Next session S'bout time.

All the things you are
Tony shows how play "All the things you are" as a ballad and how to solo using diatonic chordal tones and 2/5s in the tritone substitution.
.

Level Intermediate to Advanced. Tony goes over Bigband style Tags using I-IV-ii-V progressions, using thumb slides, and integration the foot pedals. The second half Tony get into advanced harmonized scales.

Speak low (Kurt Weill)

"Brazil"
-Jobim

"Worksong"
Cannonball Aderley